Phyllis Louke - Program Notes

The Contrabass and Auxiliary parts available on this website are available in Adobe Acrobat documents in pdf format. To print, use the Adobe Reader Print icon, not the browser print icon or menu. You will need Adobe Acrobat Reader to view or print any of these documents. If you do not have it, please click here to download it for free.

Program Notes

Teaching Materials:

Flute 101: Mastering the Basics

by Phyllis Avidan Louke and Patricia George, pub. Fabulous Flute Music Company

Flute 101: Mastering the Basics is a new flute method by Phyllis Avidan Louke and Patricia George. The book offers many pedagogical ideas to enrich the technical, creative and musical development of beginning flutists. The book may also be used as a phrasing guide for advanced players. The Teacher's Guide at the beginning of the method explains the pedagogical approach used in the book and includes practicing and phrasing tips. Flute 101: Mastering the Basics is perfect for use in the private studio, university studio and woodwinds methods classes. More info

Teaching Materials:

The Best Scale Book Ever

by Patricia George and Phyllis Avidan Louke, pub. Fabulous Flute Music Company

The Best Scale Book Ever, written by Patricia George and Phyllis Avidan Louke, fulfills the teacher's and performer's "want list" or "dream list" of scale studies. Besides the scales, there is a chapter on "what to do with the notes" once you have learned them. Also included are Practice Guides with hundreds of rhythms and articulations patterns to practice any group of six or eight notes. More info

Music for Alto Flute (or C-Flute) and Piano

As the Clouds Parted

by Phyllis Avidan Louke, pub. ALRY Publications

As the Clouds Parted is a series of five character sketches for alto flute and piano, commissioned by Mary Novak Sand. Also suitable for performance on concert flute, parts for both alto flute and concert flute are included.

The title As the Clouds Parted is a metaphor for happiness—when the clouds part, the sun comes out. The music in this suite is tied together with a theme of happiness.

Happiness is finding true love in Romance.
Happiness is the joy and the freedom in Gallop.
Happiness is the sweet tenderness of singing a child to sleep with a Lullaby.
Happiness is enjoying a musical joke in Scherzo.
Happiness is a fanfare and enjoying a happy ending in Finale.
(10:00) Level 3+

Music for Alto Flute (or C-Flute) and Piano

Big Sky

by Phyllis Avidan Louke, pub. ALRY Publications

Big Sky is a programmatic work in four movements written for alto flute and piano. Also suitable for performance on concert flute, parts for both alto flute and concert flute are included. Commissioned by Margaret Schuberg, flute professor at The University of Montana-Missoula, Big Sky is descriptive of the scenery, wildlife and lifestyle of Montana. (9:30) Level 3+

Movement 1: Big Sky. This movement celebrates the beauty and grandeur of Montana in a movement reminiscent of Aaron Copland with open chords and large intervals in the melody.

Movement 2: Riding the Range. Written in alternating 6/8 and 3/4 time signatures, this movement depicts the loping rhythm of a cowboy and his horse on a cattle drive.

Movement 3: Cry of the Eagle. This movement opens with harmonics, timbral trills, and pitch bends played freely to simulate the cry of an eagle. In the poignant melody that follows, you can feel the eagle soaring freely in the sky.

Movement 4: Whitewater on the Blackfoot. This movement details the excitement of river rafting on the Blackfoot River. Calm and gently flowing waters lead to a wild ride on the whitewater.

Music for Alto, Bass, or C-Flute and Piano

Blessings & Celebration

by Phyllis Avidan Louke, pub. ALRY Publications See Review
mp3 (Blessings) mp3 (Celebration) (recording by Phyllis Louke at NFA Convention 8/07)

Finalist in 2008 NFA Newly Published Music Competition

Blessings & Celebration is a programmatic work in two movements written for bass flute and piano, but is suitable for performance on alto flute (separate part is included) or concert flute. The first movement, Blessings, is expressive, beautiful and heart-felt, like a blessing or a prayer. The short cadenza should be played freely, with emotion. The second movement, Celebration, is a joyful syncopated dance tune celebrating a happy occasion such as a wedding. Several sections are marked with an option to take them up an octave, if desired.

Alto flute and concert pitch parts are included. (6:45)

Level 3

Music for Alto, Bass, C-Flute and/or Piccolo and Piano

Castle in the Mist

by Phyllis Avidan Louke, pub. ALRY Publications See Review
mp3 (1. The Journey Home) mp3 (2. Peace in the Kingdom) mp3 (3. Danse and Celebration)

Finalist in 2008 NFA Newly Published Music Competition

Commissioned by Sue Blessing for alto flute and piano, Castles in the Mist is reminiscent of the Renaissance period, of lords and ladies, and knights in armor. This piece may be used to showcase different members of the flute family on each of its three movements (alto, bass, c-flute and/or piccolo), or may be performed solely on alto flute or concert flute (both parts and performance suggestions are included). Movement 1, The Journey Home, finds the knights of the kingdom wearily returning home from their long and arduous quest. Movement 2, Peace in the Kingdom, describes the peace and comfort felt by the people of the kingdom, now that the knights have returned to the castle. Movement 3, Danse and Celebration, describes the celebratory feast in the castle honoring the knights’ return to the castle.

Alto flute and concert pitch parts are included. (13:30)

Level 3

Errata
for music received in April & May 2006, there was an error in page layout of the parts
Page 2 & 3 of the C-flute part are for Alto Flute
Page 2 & 3 of the Alto Flute part are for C-flute
("Alto Flute" or "C-flute" part is marked at the bottom of each page next to the page number)

Music for Alto, Bass or C-Flute and Piano

Christmas Landscapes

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews
mp3 (Bring a Torch, Jeannette Isabella) mp3 (O Come, O Come Emmanuel) mp3 (Infant Holy, Infant Lowly) mp3 (Hark! The Herald Angels Sing) (recording by Phyllis Louke 3/08)

Christmas Landscapes is a collection of four beautiful Christmas solos suitable for church, holiday performances and family gatherings that can be played on the alto flute, bass or c-flute. Performance suggestions are given for each Christmas Carol, including marked sections where the octave can be varied for contrast. Each carol has a repeat which contains textural changes in the piano from the first time through.

Bring a Torch, Jeannette Isabella is a lovely setting of a 17th century French Carol with a lilting melody in 3/8 time. This carol begins with a simple accompaniment to the flute melody followed by a descant. (2:30)

O Come, O Come Emmanuel, a 15th century French Carol, begins with unaccompanied alto flute followed by a flowing piano part and a descant. The piano entrance at measure 96 can be delayed to the last beat of measure 101, if the performers prefer. This arrangement also features a beautiful interlude between verses. (4:00)

Infant Holy, Infant Lowly is a traditional Polish carol in 3/4 time. This beautiful lullaby begins with a simple accompaniment to the flute melody followed by a descant. (2:00)

Hark! The Herald Angels Sing is a joyful traditional carol that begins with flute melody with a simple accompaniment followed by a descant. (3:30)

Alto flute and concert pitch parts are included. (12:00)

Level 2-3

Music for Alto Flute (or C-Flute) and Piano

Echoes in the Wind—A Native American Soliloquy (for alto flute & piano)

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

mp3 (recording by Phyllis Louke)

Honorable Mention in 2002 NFA Newly Published Music Competition

Commissioned by Sue Blessing, Echoes in the Wind evokes the image of a solitary Native American flutist playing from a mountaintop to the valley below. This piece takes advantage of the beautiful and unique sonority of the alto flute in the upper register. The haunting quality of the alto flute conveys the elusiveness of the wind, as it ebbs and flows through this piece.

Can also be performed on C-Flute. (part included). (6:00)

Level 2

Echoes in the Wind was
inspired by this photograph.

Music for Flute and Piano

Extended Techniques—Solos for Fun

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

Finalist in 2008 NFA Newly Published Music Competition

This book of extended technique solos for flute and piano is a follow-up to the duet book Extended Techniques—Double the Fun. The solos are written so the players can have fun with them even before they’ve mastered the techniques and also can serve as demonstration material for the different types of sounds the flute can make. If a pianist is not available, the solos can be played without accompaniment, or with the 2nd Flute part serving as an accompaniment. Basic explanations are provided with each piece, while more detailed explanations on extended techniques are included in the program notes.

These seven original compositions are written in a variety of styles and meters and utilize various extended techniques, including flutter tonguing, key clicks, harmonics, multiphonics, pitch bends, simultaneous singing & playing, tongue thrust, whistle tones, and experimenting with wind noise.

Each solo is 1:00 to 2:30 with difficulty level from 1+ to 3.

Errata, corrected page 16 of piano part

Solo Titles:

Kangaroo (key clicks, sing & play)

mp3 Five is Fun (flutter tongue, key clicks, practices playing in 5/8 and 6/8 time)

Frog Waltz (harmonics, tongue thrust)

Fright Night (harmonics, pitch bends, whistle tones, wind noise, experiment making spooky sounds on the flute)

Carnival (multiphonics, sing & play)

Bird Song (flutter tonguing, practices 5-tuplet rhythm)

mp3 Catch the Train (multiphonics, pitch bends)

Music for Two Flutes or Multiples

Jewish Liturgical Music for Two Flutes

arr. Phyllis Avidan Louke, pub. ALRY Publications

Finalist in 2000 NFA Newly Published Music Competition

This compilation of Jewish Liturgical Music contains music that is a regular part of Friday night and Saturday morning Sabbath Services. The Flute 1 part is the melody, while Flute 2 is the accompaniment/counter melody. Chords are included for each piece, so that a piano or guitar accompaniment can be used with either one or both flute parts. This project is dedicated to Cantor Linda Shivers of Congregation Neveh Shalom in Portland, Oregon in thanks for her assistance in choosing the melodies for this book.

Each duet is approximately 2:00 each

Level 2

Errata

The following melodies are included in this collection:

Adon Olam (Lord of the World) Traditional Melody

Yigdal (The Living), Traditional Melody

Ahavat Olam (With Everlasting Love), based on traditional motifs, Eric Mandell

Mogen Ovot (Shield to Our Ancestors), by I. Goldfarb

L’cha Dodi (Let Us Go, My Beloved), by S. Sulzer

Shalom Alechem (Peace Upon You), by S. Goldfarb

Tzadik Katomar (The Righteous Shall Flourish), by L. Lewandowsky

V’Shom’ru (They Shall Observe), by Max Wohlberg

Music for Two Flutes or Multiples

Extended Techniques—Double the Fun

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

Kids are going to love Phyllis Louke's "Extended Techniques--Double the Fun". These duos are easy, totally accessible, and cheerfully go into new and exciting musical zones. Parents and teachers: get ready for enthusiastic new sounds--and be prepared to hear the word "cool" a lot!

Robert Dick

September 2003

Finalist in 2006 NFA Newly Published Music Competition

Suitable for two flutes or ensembles, this book was written to provide an accessible way to learn and practice extended techniques. The duets are written so the players can have fun with them even before the techniques have been mastered. Both Cynthia Stevens and Patricia George provided encouragement and invaluable advice during the writing of this book.

Basic instructions for extended techniques are provided with each duet. Most of the duets are original compositions and are suitable for performance or for demonstration material. These duets are great to use with ensembles.

Each duet is 1:00 to 1:30 with difficulty level from 1+ to 2.

Duet Titles:

*Chopsticks (key clicks)

*Horse Trot (key clicks)

mp3 Have You Ever Seen a Lassie? (multiphonics)

*Carousel (multiphonics)

*Windy (harmonics)

*Growling Bears (flutter tonguing)

mp3 *Telephone (flutter tonguing)

mp3 *The Bagpiper (simultaneous singing and playing)

mp3 *Laughing (pitch bending)

When the Saints Go Marching In (headjoint only)

*Motorcycle Ride (flutter tongue, pitch bends, multiphonics, harmonics)

mp3 Pop Goes the Weasel (flutter tongue, key clicks, sing & play, harmonics, pitch bends)

*original compositions by Phyllis Avidan Louke

Music for Flute Trio

Adon Olam for Flute Trio

arr. Phyllis Avidan Louke, pub. ALRY Publications

This Jewish folk song, probably composed in the eleventh century, is a hauntingly beautiful hymn. It consists of ten lines, with the first six lines expressing the Jewish concept of G-d, and the last four lines expressing the faith we have in G-d. This song is one of the traditional songs used to conclude the Jewish Sabbath service in synagogues.

Adon Olam is scored for 3 c-flutes. (1:45)

Level 2

Music for Flute Trio

Havah Nagilah for Flute Trio

arr. Phyllis Avidan Louke, pub. ALRY Publications

Havah Nagilah is a Jewish folk song that is played at joyous occasions such as Jewish weddings, bar or bat mitzvahs (a Jewish boy or girl’s coming of age ceremony). The guests at these celebrations dance the “hora” to this song. The hora is a circle dance that usually starts out fairly slow, gradually getting faster and faster with each repeat until it ends (usually when the dancers are too tired to go any faster!) This arrangement is meant to evoke the mood of a celebration and begins almost ponderously. Each repeat of the melody adds more excitement as the song gets faster and faster, finally climaxing with an exciting embellishment of the melody.

Havah Nagilah is scored for three flutes. Bass flute can be used on Part 3 (3:00)

Level 3

Music for Flute Quartet or Flute Choir

Suite Butterfly for Flute Quartet or Flute Choir

by Phyllis Avidan Louke, pub. ALRY Publications See Review

mp3 (Caterpillar) mp3 (Chrysalis) mp3 (Butterfly)

(recordings by National Flute Choir on High Altitude CD)

Suite Butterfly was written for and dedicated to the composer’s children, Marissa and Jeremy, and was inspired by Jeremy’s first grade science study of the butterfly’s life cycle. Each movement is represents a different stage in the life of a butterfly.

Movement one (Caterpillar) begins with a sunrise on a spring morning with the caterpillar’s efforts to hatch from its egg. It struggles, then rests, struggles, then rests. The bass flute finally heralds the success of the caterpillar’s escape with a joyful theme expressing the caterpillar’s first venturing into the outside world. The caterpillar’s joy intensifies with a lighter theme as it finds delight in its explorations, finally slowing as the time nears for the caterpillar to enter its next stage of development.

Movement two (Chrysalis) begins with an ominous feel as the caterpillar begins to spin its cocoon. The mood is very dark, as it is inside a cocoon, and is reminiscent of a dreary, windy day. Throughout most of the movement there is a constant chromatic triplet pattern as the caterpillar spins its cocoon. The spinning slows and finally stops, as the chrysalis is complete.

Movement three (Butterfly) is in 6/8 time and begins with the attempts of the butterfly to flutter its wings and break free of the chrysalis. The butterfly grows stronger with each attempt as it flutters its wings longer and harder. Success is finally achieved as the butterfly takes flight and soars with a theme reminiscent of Renaissance music.

Scored for 4 flutes with opt. alto & bass flutes doubling the 4th part, and opt. picc (7:00)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Quartet or Flute Choir

Hanukah Suite for Flute Quartet or Flute Choir

arr. Phyllis Avidan Louke, pub. ALRY Publications

Suite of four separate Hanukah songs that can be performed together or separately:

Maoz Tsur, or Rock of Ages, is a hymn-like melody.

Hanukah is a quick and lively melody

Mi Y’Malel (Who Can Retell) consists of a lively chorus in a major key, while the verse is modal, performed in a sostenuto style.

On Hanukah is a pleasant march.

Scored for 4 flutes. Optional Alto Flute parts are included for Parts 3 & 4 and Bass Flute can be used on Part 4, if desired. In addition, for larger groups, piccolo may be added on Parts 1 & 2, where indicated. (10:00)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Quartet or Flute Choir

Simple Gifts

arranged by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by Woodbridge Flute Choir on the CD Woodbridge Suite)

Simple Gifts is an arrangement of a well-known folk song used by a religious sect called the Shakers. This piece is comprised of a series of variations on this famous tune, starting with a “simple” setting, continuing to a variation with chromatic accompaniment, an “ethereal” variation, a march-like variation with a rousing piccolo counter melody, finishing with a beautiful chorale section.

This piece may be performed either with a Flute Quartet, or with a Flute Choir. If played with only four players, the sections marked “piccolo” in the march variation (in Flute 1 & Flute 2 parts, starting at letter D) should be played on flute, since there isn’t ample time to switch instruments. When played with a Flute Choir, the Alto Flute & Bass Flute parts enhance the harmonic structure of the piece and add depth to the arrangement. The arrangement works well with either one or both of these optional voices added.

Simple Gifts is scored for four c-flutes, (opt. piccolo, alto flute and bass flute) (5:20)

Optional parts now available for FREE download: contrabass flute

Level 3 to 3+

Music for Flute Quartet or Flute Choir

The Planets

by Gustav Holst, arranged by Phyllis Avidan Louke, pub. Falls House Press See Reviews

mp3 (Mars*) mp3 (Venus** ) mp3 (Mercury**) mp3 ( Jupiter**) mp3 (Saturn*) mp3 (Uranus*) mp3 (Neptune*)
(Recordings by *Rose City Flute Choir and **Portland Flute Quartet 10/04)

Columbia Flute Choir read through The Planets last night. We loved it! It really captures the essence of the work and is very approachable from a player’s and a listener’s prospective! Thanks for this great addition to the flute choir literature!!

Sharyn Byer

April 2005

British composer, Gustav Holst (1874-1934), was well-known for his choral, band and orchestral music, but The Planets, composed between 1914-1916, established his international reputation and remains a standard in the orchestral repertoire to this day. The work is divided into seven movements, each describing the astrological and mystical qualities of a different planet.

This arrangement, containing all of the seven movements, is an abbreviated version of The Planets—the 60 minute length of the original piece has been reduced to approximately 20 minutes. All of the major themes appear in a form designed to be accessible to both small and large flute ensembles of intermediate through advanced level.

Scored for four flutes with optional alto, bass and contrabass flute parts, this arrangement may be performed in its entirety by ensembles as small as four c-flutes, as well as by larger ensembles with access to alto, bass and contrabass flutes.

Movement 5, Saturn, the Bringer of Old Age: In measures 362 & 366 Animato sections are almost twice as fast as the preceding tempo. Accented off-beats in Flute 3 are mostly played by chimes in the orchestral version, so the accents should be played percussively for best effect.

Movement 6, Uranus, the Magician: In measure 406, the sixteenth notes in Flutes 1 & 2 should be played very percussively—in the orchestral version, these notes are played energetically by the timpani.

The Planets is scored for four c-flutes, (opt. alto, bass and contrabass flute) (20:35)

Level 3 to 3+

Music for Flexible Flute Ensemble

American Patriotic Music for Flexible Flute Ensemble (for 2, 3, 4 or more)

arranged by Phyllis Avidan Louke, pub. ALRY Publications

Finalist in 2004 NFA Newly Published Music Competition

The music in American Patriotic Music for Flexible Flute Ensemble was arranged specifically to provide maximum flexibility in the number of parts required to provide a successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities (Flute Descant is included for more advanced players), as well as student ensembles, and lend themselves to “sing-alongs” with the audience. A lyric sheet, suitable for duplication, is included.

These arrangements can be performed as a

Duet—use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in American Patriotic Music for Flexible Flute Ensemble is effective with multiple players on each part, as well as with only one on each part. With larger groups, a piccolo may be added to Flute 1 and/or Flute Descant, if desired. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players. More advanced groups can perform these pieces successfully with minimal rehearsal time.

Each piece approximately 1:30

Level 2 to 3

Music includes:

The Star Spangled Banner
My Country ‘Tis of Thee (America)
Battle Hymn of the Republic
America the Beautiful
Yankee Doodle
When Johnny Comes Marching Home
You’re a Grand Old Flag
I’m a Yankee Doodle Dandy
Anchors Aweigh (U.S. Navy Song)
The Marine’s Hymn (U.S. Marine Corps Song)
Off We Go, Into the Wild Blue Yonder (U.S. Air Force Song)
The Caissons Go Rolling Along (U.S. Army Song)
Stars & Stripes Forever (Official March of the United States)

Music for Flexible Flute Ensemble

Classical Music for Flexible Flute Ensemble (for 2, 3, 4 or more)

arr. by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

The music in Classical Music for Flexible Flute Ensemble was arranged specifically to provide maximum flexibility in the number of parts required to provide an successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. A Flute Descant part is included for more advanced players.

These arrangements can be performed as a

Duet—use Flute 1 & Flute 2 (they alternate on the melody)

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in Classical Music for Flexible Flute Ensemble is effective with multiple players on each part, as well as with only one on each part. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players. More advanced groups can perform these pieces successfully with minimal rehearsal time.

Each piece approximately 1:30

Level 2 to 3

Errata

Music includes:

Sonatina by Beethoven
Theme from “Symphony No. 85” by Haydn
Bourree from “Water Music” by Handel
Menuet by Bach
Largo from the “New World Symphony” by Dvorak
Hopak by Moussorgsky
Spring from “The Four Seasons” by Vivaldi
Russian Sailor’s Dance by Gliere
Theme from “Swan Lake” by Tchaikovsky
Gavotte by Gossec
Ode to Joy from “Symphony No. 9” by Beethoven
In the Hall of the Mountain King from “Peer Gynt” by Grieg

Music for Flexible Flute Ensemble

Christmas & Hanukah Songs for Flexible Flute Ensemble (for 2, 3, 4 or more)

arr. Phyllis Avidan Louke, pub. ALRY Publications

featured on the Woodbridge Flute Choir recording A Silver Christmas

The songs in Christmas & Hanukah Songs for Flexible Flute Ensemble were arranged specifically to provide maximum flexibility in the number of parts required to provide an effective ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities (Flute Descant is included for more advanced players) and student ensembles, and lend themselves to “sing-alongs” with the audience. A lyric sheet, suitable for duplication, is included.

These arrangements can be performed as a

Duet--use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

Christmas & Hanukah Songs for Flexible Flute Ensemble work well with multiple players on each part, as well as with only one on each part.

Each piece approximately 1:30

Level 2 to 3

Errata

Music includes:

Oh, Come All Ye Faithful
Joy to the World
Oh Hanukah
Silent Night
I Have a Little Dreidel
Oh Little Town of Bethlehem
Hark! The Herald Angels Sing
What Child is This?
Jingle Bells
God Rest You Merry, Gentlemen
Angels We Have Heard on High
We Wish You a Merry Christmas

Music for Flexible Flute Ensemble

International Music for Flexible Flute Ensemble, Volume 1 (for 2,3,4 or more)

arr. Phyllis Avidan Louke, pub. ALRY Publications

The music in International Music for Flexible Flute Ensemble, Volume 1 was arranged specifically to provide maximum flexibility in the number of parts required to provide a successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players.

These arrangements can be performed as a

Duet—use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in International Music for Flexible Flute Ensemble, Volume 1 is effective with multiple players on each part, as well as with only one on each part. With larger groups, a piccolo may be added to Flute 1 and/or Flute Descant, if desired. More advanced groups can perform these pieces successfully with minimal rehearsal time. Volume 1 contains music from Asia, Australia, Caribbean, Latin America, and North America. Volume 2 will contain music from France, Italy, Russia, the British Isles, and more.

Each piece approximately 1:30

Level 2 to 3

Music includes:

Sakura, Sakura--Japan
Airang—Korea
The Bamboo Flute—China
Waltzing Mathilda--Australia
Botany Bay—Australia
Banana Boat Song—Jamaica
Sloop John B—Bahamas
Guantanamera--Cuba
El Condor Pasa—Peru
La Cumparsita—Uruguay
Cielito Lindo—Mexico
La Bamba—Mexico
She's Like the Swallow--Canada
Cripple Creek--United States
House of the Rising Sun--United States
Take Me Out to the Ball Game--United States

Music for Flexible Flute Ensemble

Irish Music for Flexible Flute Ensemble (for 2,3,4 or more)

arr. Phyllis Avidan Louke, pub. ALRY Publications See Reviews

The music in Irish Music for Flexible Flute Ensemble was arranged specifically to provide maximum flexibility in the number of parts required to provide a successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players.

These arrangements can be performed as a

Duet—use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in Irish Music for Flexible Flute Ensemble is effective with multiple players on each part, as well as with only one on each part. With larger groups, a piccolo may be added to Flute 1 and/or Flute Descant, if desired. More advanced groups can perform these pieces successfully with minimal rehearsal time.

Each piece approximately 1:30

Level 2 to 3

Music includes:

Brian Boru’s March
Londonderry Air (Danny Boy)—air
The Irish Washerwoman—jig
The Last Rose of Summer—air
The Lark in the Morning—jig
Give Me Your Hand—air
The Rakes of Mallow—march
The Star of the County Down—waltz
The Maid Who Sold Her Barley--jig
Rosin the Bow—waltz
The Kerry Dance—march
The Minstrel Boy—air
The Wearing of the Green—march
When Irish Eyes are Smiling--waltz

Music for Flexible Flute Ensemble

Jewish Music for Flexible Flute Ensemble (for 2,3,4 or more)
arr. Phyllis Avidan Louke, pub. ALRY Publications (NEW for 2007)

The music in Jewish Music for Flexible Flute Ensemble was arranged specifically to provide maximum flexibility in the number of parts required to provide a successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players. In addition, chord symbols are included to provide even more performance combinations by adding guitar or piano.

These arrangements can be performed as a

Duet—use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in Jewish Music for Flexible Flute Ensemble is effective with multiple players on each part, as well as with only one on each part. With larger groups, a piccolo may be added to Flute 1 and/or Flute Descant, if desired. More advanced groups can perform these pieces successfully with minimal rehearsal time.

Each piece approximately 1:30

Level 2 to 3

Errata

Music includes:

1. Havah Nagilah (Let's Be Happy)--Israel Folk Dance

Also can be translated "Come let us rejoice and be glad". Song and dance are called for

on joyous occasions. This song has become one of the most popular songs of the folk

repertoire.

2. Hatikvah (The Hope)--Israeli National Anthem

In 1897 Hatikvah became the Zionist National Anthem. it is now the national anthem of

the State of Israel. The song says: So long as still within the inmost heart a Jewish

spirit sings, so long as the eye looks eastward, gazing toward Zion, our hope is not

lost--that hope of two thousand years, to be a free people in our land, the land of Zion

and Jerusalem.

3. Hinei Mah Tov (How Good It Is)--Traditional Round

4. Hinei Mah Tov (fast)--Traditional Chassidic Folk Tune

The words for this song come from Psalm 133, written by King David: Behold how good

and pleasant it is for brothers to dwell together. The first version of this song is

traditionally played as a round, while the second version is a more upbeat dance tune.

5. David Melech Yisrael (David, King of Israel)--Traditional Folk Tune

A traditional folk tune that proclaims that David, King of Israel, lives forever!

6. Tum, Balalaika (Play Balalaika)--Yiddish Folk Song

This is a Yiddish folk song in popular riddle form. Before proposing, a young man

questions his bride’s wisdom. He calls to the Balalaika (a guitar-like instrument

popular in Eastern Europe and Russia) to play and add to the merriment of

the occasion.

7. Heveinu Shalom Alechem (We Bring You Peace)--Traditional Hebrew Greeting Song

This song is a song of welcome.

8. Zum Galli Galli (We Are Proud to Be Pioneers)--Israeli Song

The pioneers of modern Israel felt that working the land enhanced their lives and in

turn, the pioneers added dignity to labor. Zum Galli has no specific meaning—it is

similar to “la la la”. The translation of the lyrics is “The pioneers work the land”.

9. Ayn Kaylohaynu (There is None Like Our G-d)--Traditional from Hebrew Liturgy

This song is generally used for the closing of the Sabbath Service and was composed

around the eighth century.

10. Siman Tov Umazel Tov--(Good sign and good luck)--Traditional Song of Congratulations

This song is sung following a joyous occasion such as a wedding or Bar/Bat Mitzvah.

The joyous message of ‘good luck’ is generally accompanied by loud clapping. “A good

sign, good luck. May Providence smile upon you and may good luck and good fortune

be yours.”

11. Lo Yisa Goi (Nation Shall Not Lift Up Sword Against Nation)--Traditional Folk Tune

The words to this song come from Isaiah: Nation shall not lift up sword against nation;

neither shall they learn war any more.

12. Chag Purim (Purim time)--Traditional Folk Song for the Festival of Purim

Purim is a festive holiday for the Jewish people. There are masks, noisemakers

(groggers), songs and dances. Let us make noise with the groggers.”

13. Eliyahu Hanavi (Elijah the Prophet)--Traditional Folk Song for the Holiday of Passover

Elijah the prophet has been associated with the messianic hopes of the Jewish people.

This song is sung at the conclusion of the Sabbath and during the Passover Seder to

express the desire that the spirit of love, peace and freedom will be possible for all

people.

14. Dayeinu (It would be enough)--Traditional Folk Song for the Holiday of Passover

Traditionally sung during the Passover Seder, this song reminds us of the wonderful

gifts God bestowed upon the Jewish people during their journey from slavery to

freedom. “However, if God had done just one of them, it would have been enough.”

This song is not limited solely to Passover. We praise God and proclaim that if HE had

performed only the act of taking us out of Egypt, it would have been enough for us.

15. Avinu Malkeinu (Our Father, Our King)--Traditional Chassidic Melody for the Sacred Holiday of Yom Kippur (The Day of Antonement)

This prayer is a central part of the High Holy Days liturgy. “Our father, our King, be

gracious unto us and answer us, for we are wanting in good deeds. Treat us with

kindess and charity and redeem us.” Avinu Malkeinu dates from between the 2nd and

6th centuries.

More information about Jewish holidays and festivals:

PASSOVER

This holiday celebrates and retells the story of the Israelites’ release from Egyptian bondage. In attempts to convince the Pharaoh (ruler) of Egypt to free the Jewish people, God inflicted plagues upon Egypt. Before the last plague (the slaying of the first born) was cast upon Egypt, the Israelites were instructed to mark the doors of their houses with lamb’s blood, so the angel of death would “pass over” their homes.

The story of the Israelites’ Exodus from Egypt is retold during the Seder (which means “order”). Matza (a flat bread) is eaten during the Seder (and during the entire eight days of Passover) as a reminder that the Israelites left Egypt in such haste that there was no time to allow their bread to rise.

PURIM:

Purim is a celebration of victory over the tyranny of the wicked Haman and his anti-semitism. On Purim, the Jewish people listen to the retelling of the story in the Book of Esther (called The Megillah). Whenever Haman's name is mentioned everyone is encouraged to blot out his name by making lots of noise. The grogger (noisemaker) is used for this purpose.

The hallmarks of this festival are carnivals and costume wearing. The traditional food served during this celebration is Hamentashen (a triangle-shaped pastry filled with poppy seeds or fruit). The triangular shape is symbolic of the three-cornered hat worn by Haman. During this festival it is also customary to send gifts of food to friends and give aid to the poor.

YOM KIPPUR

Yom Kippur, the Day of Atonement, is the most sacred of the Jewish holidays, the "Sabbath of Sabbaths." By Yom Kippur the 40 days of repentance, that begin with the first of Elul, have passed. On Rosh Hashanah (Jewish New Year), G-d has judged most of mankind and has recorded his judgment in the Book of Life. On Yom Kippur the Book of Life is closed and sealed. Those that have repented for their sins are granted a good and happy New Year.

Since Yom Kippur is the day to ask forgiveness for promises broken to G-d, the day before is reserved for asking forgiveness for broken promises between people, as G-d cannot forgive broken promises between people. Yom Kippur is a day of "NOT" doing. The is no blowing of the Shofar and Jews may not eat or drink, as fasting is the rule. It is believed that to fast on Yom Kippur is to emulate the angels in heaven, as they do not eat, drink, or wash.

Music for Flexible Flute Ensemble

Sacred Music - Hymns for Flexible Flute Ensemble (for 2, 3, 4 players or more)

arranged by Phyllis Avidan Louke, pub. ALRY Publications

Honorable Mention in 2008 NFA Newly Published Music Competition

The music in Sacred Music - Hymns for Flexible Flute Ensemble was arranged specifically to provide maximum flexibility in the number of parts required to provide a successful ensemble experience and an effective performance. These arrangements work well for ensembles of mixed abilities, as well as student ensembles. Flute Descant is included for more advanced players. A song sheet with two verses of each hymn is included. For additional verses, click here.

These arrangements can be performed as a

Duet—use Flute 1 (melody) & Flute 2

Trio—use Flute 1, Flute 2, & Flute 4

Quartet—use Flute 1, Flute 2, Flute 3 & Flute 4

Flute Choir—use Flute 1, 2, 3, 4, Alto Flute and/or Bass Flute

Flute Descant can be added to any of the above combinations.

The music in Sacred Music - Hymns for Flexible Flute Ensemble is effective with multiple players on each part, as well as with only one on each part. With larger groups, a piccolo may be added to Flute 1 and/or Flute Descant, if desired. More advanced groups can perform these pieces successfully with minimal rehearsal time.

Each piece approximately 1:30

Level 2 to 3

Music includes:

All Hail the Power of Jesus’ Name (Hymn Tune: Coronation)
As With Gladness Men of Old (Hymn Tune: Dix)
Christ for the World We Sing (Hymn Tune: Moscow)
The Church’s One Foundation (Hymn Tune: Aurelia)
Faith of Our Fathers (Hymn Tune: St. Catherine)
Glorious Things if Thee Are Spoken (Hymn Tune: Austria)
I Sing a Song of the Saints of God (Hymn Tune: Grand Isle)
In the Garden (Hymn Tune: In the Garden)
Lead On, O King Eternal (Hymn Tune: Lancashire)
Let All Things Now Living (Hymn Tune: Ash Grove)
Love Divine, All Loves Excelling (Hymn Tune: Hyfrydol)
A Mighty Fortress by Martin Luther (Hymn Tune: Ein feste Burg)
O God Our Help in Ages Past (Hymn Tune: St. Anne)
Rejoice Ye Pure in Heart (Hymn Tune: Marion)
There is a Green Hill Far Away (Hymn Tune: Horsley)
When Morning Gilds the Skies (Hymn Tune: Laudes Domini)
Ye Watcher and Ye Holy Ones (Hymn Tune: Lasst uns erfreuen)

Alternate Hymns for the Hymn Tunes Above:

Coronation:

All Hail the Power of Jesus’ Name

Welcome, Thou Victor in the Strife

Dix:

Blessed Savior, Thee I Love

Chief of Sinners

Come, Divine Interpreter

For the Beauty of the Earth

Holy, Holy, Holy, Lord

Lord, Thy Children Guide and Keep

O Give Thanks to Him Who Made

Rebels, Who Had Dared to Show

Moscow:

Christ for the World We Sing

Aurelia:

Another Year is Dawning

The Church’s One Foundation

God is My Strong Salvation

In Days of Old On Sinai

In Time of Tribulation

Live Out Thy Life Within Me

My Light and My Salvation

O Father, All Creating

O Father, You are Sovereign

O God, Thou Art the Father

O Living Bread from Heaven

Remember Christ, Our Savior

The Son of Consolation

There Where the Judges Gather

This Night, O Lord, We Bless Thee

St. Catherine:

Faith of Our Brothers

Faith of Our Fathers

Forth From the Dark and Stormy Sky

Give Me, O Lord, Right Views of Thee

God of the Earth, the Sky, the Sea!

Jesus, Thy Boundless Love to Me

Lord, Thou Hast Been Our Dwelling Place

O Jesus Christ, Our Lord Most Dear

Our Earth We Now Lament to See

See Sinners, in the Gospel Glass

Austria:

Earth, With All Thy Thousand Voices

Glorious Things of Thee are Spoken

Heaven is Here, Where Hymns of Gladness

Not Alone for Mighty Empire

Raise the Psalm

Sing a New Song to Jehovah

Zion’s King Shall Reign Victorious

Grand Isle:

I Sing a Song of the Saints of God

In the Garden:

In the Garden

Lancashire:

The Day of Resurrection

An Endless Line of Splendor

Go Forward, Christian Soldier

Go Make of All Disciples

From Ocean Unto Ocean

Lead On, O King Eternal

O Day of Light and Gladness

Ash Grove

Let All Things Now Living

The Master Hath Come

On This Night, Most Holy

Hyfrydol:

Alleluia! Sing to Jesus

Blest the Man That Fears Jehovah

Call Jehovah Thy Salvation

Come, Thou Long Expected Jesus

God, the Spirit, Guide and Guardian

Hearts to Heaven and Voices Raise

Holy Ghost, Dispel Our Sadness

In Thy Heritage The Heathen

Jesus, I My Cross Have Taken

Jesus! What a Friend for Sinners

Lord, Thy Glory Fills the Heaven

Ein feste Burg:

A Mighty Fortress is Our God

Rejoice Today With One Accord

A Safe Stronghold Our God is Still

We Bless the Triune God of Might

St. Anne:

Hail Father, Son and Spirit Great

O Lord and Master of Us All

Lord, As to Thy Dear Cross We Flee

The Lord Who Has Remembered Us

Lovers of Pleasure More Than God

O God, Our Words Cannot Express

O God, the Help of All Thy Saints

Our God, Our Help in Ages Past

Marion:

O Seek the Lord in Prayer

Rejoice Ye Pure in Heart

Horsley

There is a Green Hill Far Away

Laudes Domini

When Morning Gilds the Skies

Lasst uns erfreuen:

All Creatures of Our God and King

A Hymn of Glory Let Us Sing

Now Let the Vault of Heaven Resound

Ye Watchers and Ye Holy Ones

Music for Flute Choir

A New Beginning (available April 2009)

by Phyllis Avidan Louke
mp3 (recording by Rose City Flute Choir 5/08)

A New Beginning was commissioned by The Hampton Roads Flute Choir to commemorate the 400^th anniversary of the founding of Jamestown, Virginia. This programmatic piece is written in one movement and is comprised of several continuous sections descriptive of aspects of the history of Jamestown.

Arrival in a new land celebrates the exhilaration and wonder the settlers must have felt at finally arriving in the New World in 1607 after their long journey at sea.

Building a community conveys industriousness as the settlers build the first permanent English settlement in the New World and settle into day to day life. The section is based on an eight bar melody from a folk song from the late 1600’s called The Bold Pedlar and Robin Hood.

Troubled times: By mid 1607, the settlers were experiencing troubled times--disease was rampant and John Smith was captured by Indians.

Pocahantas helps the settlers describes the saving of John Smith and a new spirit of cooperation between the Indians and the settlers beginning in 1608.

A new season of hope: Although Jamestown would suffer many setbacks before its eventual success was assured, cordial relations with the Indians gave the settlers hope.

A New Beginning is scored for piccolo, 3 flutes, alto flute, bass flute, and optional contrabass flute. (5:30) Level 3
Optional part now available for FREE download: Flute 4 (alt. c-part for alto)

Music for Flute Choir

As Eagles Flew

by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by Rose City Flute Choir 5/06)

As Eagles Flew is a programmatic piece written in memory of my friend, Bob Clew who passed away in the Fall of 2004. This piece seeks to capture Bob’s life as an aerospace engineer, his kind and gentle side (and his impish side), as well as his Irish heritage. Bob loved a good joke and to share limericks with his fellow travelers in the American Flute Orchestra. His smiling face and good humor will be greatly missed.

As Eagles Flew begins with a soaring andante theme in D major that culminates with a rocket launch, followed by a slow Irish theme in D minor. The center section is a military style march in 6/8 time alternated with the Irish theme played in a jaunty style by the piccolo. Brief fragments of the opening appear in the fast section until the peaceful reprise of the andante theme at the end. As Eagles Flew is scored for piccolo, 3 flutes, alto flute, bass flute and optional contrabass flute or string bass. (8:30)
Level 3

Music for Flute Choir

Echoes in the Wind—A Native American Soliloquy

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

mp3 (recording by National Flute Choir on the CD Silver)

Originally commissioned for Alto Flute & Piano by Sue Blessing, Echoes in the Wind—A Native American Soliloquy is meant to evoke the image of a Native American flutist playing from a mountaintop to the valley below. At the suggestion of Patricia George, Echoes in the Wind was adapted for flute choir. The haunting quality of the flutes conveys the elusiveness of the wind, as it ebbs and flows through this piece. The music is equally effective when substituting c-flutes for alto (Part 5) & bass flute (Part 6) parts.

All grace notes should be slurred to the note following the grace note.

This piece can be performed antiphonally, with players placed as follows:

Piccolo Flute 1 Flute 2 (across the front of the stage)

Drum (in center of room in center aisle)

Flute 3 Bass Flute Alto Flute (across the back of the room)

Depending on the size of the ensemble, the players in the front can set up in an arch, so that the players on either end extend down the sides of the audience toward the back of the room, and the players in the back can set up so that the players on the ends extend up the sides of the audience toward the front. This type of set up will accentuate the echoes in the music and provide an antiphonal experience for the audience.

For a more traditional on-stage performance, players can be placed as follows:

Front Row: Flute 3, Bass Flute, Alto Flute

Back Row: Piccolo, Flute 1, Flute 2

Drum can either be placed behind the back row or on one of the sides.

This piece is scored for piccolo, 3 flutes, alto & bass. Concert flutes can be substituted for alto (C flute part included) and bass flute (6:00)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Choir

Flute Fiesta

by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (premiere by Fiesta Flute Orchestra at NFA Convention conducted by Gwen Powell 8/07)

Flute Fiesta, an original composition for flute choir, was premiered by Gwen Powell and the Fiesta Flute Orchestra at the NFA Convention in Albuquerque, New Mexico in August 2007. Written in the style of a Spanish March or pasodoble, Flute Fiesta is based on the type of music played at Spanish bullfights. Flute Fiesta’s Spanish flair makes it well-suited as an opening or closing piece for programs. The bravura piccolo part provides florid countermelody and embellishment in several sections of the piece. An optional percussion part featuring castanet and triangle is included to add even more Spanish flair.

Flute Fiesta is scored for piccolo, 3 flutes, alto flute (alternate c-flute part is included), bass flute, optional contrabass flute and percussion (castanets and triangle). (4:00)
Level 3
Errata

Music for Flute Quartet or Flute Choir

Hanukah Suite for Flute Quartet or Flute Choir

arr. Phyllis Avidan Louke, pub. ALRY Publications

Suite of four separate Hanukah songs that can be performed together or separately:

Maoz Tsur, or Rock of Ages, is a hymn-like melody.

Hanukah is a quick and lively melody

Mi Y’Malel (Who Can Retell) consists of a lively chorus in a major key, while the verse is modal, performed in a sostenuto style.

On Hanukah is a pleasant march.

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Choir

Hopak

by Modest Moussorgky, arr. by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by Rose City Flute Choir 8/03)

Transcribed from a piano piece by Moussorgsky, this lively Russian folk song works exceptionally well for flute choir and gives each group of instruments a chance to play the melody. This piece makes a good program opener.

Hopak is scored for piccolo, 3 flutes, alto flute (C flute part included) and bass flute. Optional parts for bass clarinet, string bass and contrabass flute are included. (2:00)

Level 3

Music for Flute Choir

I’ll Love My Love

arr. by Phyllis Avidan Louke, pub. Nourse Wind Publications

mp3 (recording by Rose City Flute Choir 8/03)

Honorable Mention in 1997 NFA Newly Published Music Competition

I’ll Love My Love is a Cornish folk song that was used by Gustav Holst in two different settings: a choral arrangement, and the second movement (Song Without Words) from his well-known Second Suite for Band in F Major. This arrangement contains segments that are loosely based on both settings with additional original segments by the arranger. The alto and bass flutes are featured in a duet that is followed by duets of pairs of instruments in the flute choir. The piccolo plays a prominent soloistic role in this arrangement.

This piece is scored for piccolo, 3 flutes, alto & bass (6:00)

Level 3

Words to I’ll Love My Love:

Abroad as I was walking, one evening in the spring,
I heard a maid in Bedlam so sweetly for to sing;
Her chains she rattled with her hands,
and thus repli-ed she:
"I love my love because I know
my love loves me!

O cruel were his parents who sent my love to sea,
And cruel was the ship that bore my love from me;
Yet I love his parents since they're his
although they've ruined me:
I love my love because I know
my love loves me!

With straw I'll weave a garland, I'll weave it very fine
With roses, lilies, daisies, I'll mix the eglantine;
And I'll present it to my love
when he returns from sea
I love my love because I know
my love loves me!

Just as she there sat weeping, her love he came on land,
Then, hearing she was in Bedlam, he ran straight out of hand;
He flew into her snow white arms,
and thus repli-ed he:
I love my love because I know
my love loves me!

She said: "My love don't frighten me; are you my love or no?"
"O yes, my dearest Nancy, I am your love, also
"Also I am return'd to make amends for all your injury;
I love my love because I know
my love loves me!

So now these two are married, and happy may they be
Like turtle doves together, in love and unity.
All pretty maids with patience wait
that have got loves at sea;
I love my love because I know
my love loves me!

Music for Flute Choir

Jewish Folk Dance Suite

arr. by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (Mayim Mayim) (recording by Rose City Flute Choir 10/04)

Jewish Folk Dance Suite, is a collection of three Jewish folk songs:

1. Mayim, Mayim (“Water, Water”)

This uptempo Jewish folk song (& folk dance) will make you want to get up and dance. In ancient Israel, farmers sang this song when they prayed for rain. This arrangement has some interesting counter melodies in piccolo, alto and bass.

2. Hinei Mah Tov (“How Good It Is”)

A lovely folk song in 6/8 conducted in a slow 2, this movement has an interesting moving line in the bass flute and a charming sixteenth note countermelody in the piccolo. The translations of the lyrics of this song are “How good it is and how pleasant when brothers and sisters live together”.

3. Havah Nagilah (“Let’s Be Happy”)

Havah Nagilah is a Jewish folk song and dance that is played at joyous occasions such as Jewish weddings, bar or bat mitzvahs (a Jewish boy or girl’s coming of age ceremony). The guests at these celebrations dance the “hora” to this song. The hora is a circle dance that usually starts out fairly slow, gradually getting faster and faster with each repeat until it ends (usually when the dancers are too tired to go any faster!) This arrangement evokes the mood of a celebration and begins almost ponderously with the bass flute and alto flute duet. Each repeat of the melody adds more instruments as the song gets faster and faster, finally climaxing with an exciting piccolo embellishment of the melody.

This piece is scored for piccolo, 3 flutes, alto (C flute part included) & bass (6:30)

Optional parts now available for FREE download: contrabass flute, string bass, percussion

Level 3 to 3+

Errata

Music for Flute Choir

O Come All Ye Faithful

arr. by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by National Flute Choir on the CD Christmas Flutes)

O Come All Ye Faithful begins with a duet of alto flute and bass flute, gradually adding instruments until all parts except the piccolo are playing. At letter C, the c-flutes repeat the melody with a jubilant piccolo countermelody, followed by the full flute choir accompanying the alto flute and bass flute melody at letter E. The final section at letter G, augments and broadens the melody in the full flute choir with the piccolo shimmering above with a moving countermelody, mostly in triplets.

O Come All Ye Faithful is scored for piccolo, three c-flutes, alto flute (C flute part included) and bass flute.

This piece is scored for piccolo, 3 flutes, alto & bass. (3:30)

Optional parts now available for FREE download: contrabass flute

Level 2

Music for Flute Choir

Of Wizards and Witches

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

mp3 (The Sorcerer's Spell) mp3 (Gnomes in the Garden) mp3 (Zoom Goes the Broom)

(recordings by NFA Professional Flute Choir 2004)

WINNER in 2006 NFA Newly Published Music Competition

Of Wizards & Witches, an original composition in three movements, was inspired by characters in the Harry Potter books. This piece was premiered in August 2004 by the Professional Flute Choir at the National Flute Association Convention in Nashville, Tennessee and is dedicated to them.

Movement 1, The Sorcerer’s Spell, evokes an incantation--things begin to happen as the spell takes hold.

Movement 2, Gnomes in the Garden, describes the mischievous gnomes as they scamper through the garden.

Movement 3, Zoom Goes the Broom, follows the wizards and witches as they climb on their brooms and go on a wild ride.

This piece is scored for piccolo, 3 flutes, alto & bass. (8:00)

Optional parts now available for FREE download: contrabass flute Flute 4 (alt. c-part for alto)

Level 3+

Errata

Music for Flute Choir

Oh, the Places We'll See!

by Phyllis Avidan Louke, pub. ALRY Publications

Oh, the Places We’ll See! is dedicated to The Metropolitan Flute Festival Orchestra of the New England Conservatory (Boston) and The Florida Flute Orchestra, Paige Long, Director; and Flutes Ad Libitum (Dijon, France), Martine Charlot, Director. These groups together performed the World Premiere at the National Flute Association Convention in New York City in August 2009. This piece commemorates concert tours of the Metropolitan Flute Orchestra to France and Ireland, as well as pays homage to its roots in Boston. This three movement work contains both public domain and original melodies.

Movement 1, Vive la France!, is a medley of folk and public domain melodies, including Au Clair de la Lune (In the Moonlight), Sur le Pont d’Avignon (On the Avignon Bridge), Fascination by Marchetti (the ultimate in French café songs), and the Can Can from Orpheus in the Underworld by Offenbach. This movement is a tribute to France, one of my favorite travel destinations. In 1997, I stood on the bridge in Avignon, fondly remembering my first public performance as a beginning flute student, playing a simple duet arrangement of Sur le Pont d’Avignon at our school’s Parent Night. I’ve loved the song ever since. In 2002 and 2005, I performed in several venues in Provence and Dijon with flute orchestras conducted by Paige Long. In Dijon, we spent several days at the Conservatoire and were hosted by Martine Charlot and members of Ad Libitum. (5:30)

Movement 2, The Emerald Isle, is a medley of folk and original melodies including Dance of the Leprecauns and Connemara Jig by Phyllis Avidan Louke; and Boatman of Kinsale and The Humours of Bantry by F. O’Neill. These tunes celebrate the places where The Metropolitan Flute Festival Orchestra performed in Ireland: Bantry, Connemara and Kinsale. I performed with the group on their concert tour in 2008 and thoroughly enjoyed the quaint towns of Bantry and Kinsale (both in County Cork) and the beauty of the countryside and Kylemore Abbey in Connemara (in County Galway). (5:00)

Movement 3, A Dandy Yankee Doodle, is a theme and variation on Yankee Doodle paying homage to the home of The Metropolitan Flute Festival Orchestra at the New England Conservatory in Boston. The piccolo figures prominently in the “fife and drum” opening and the “Stars & Stripes Forever” ending. (3:00)

This piece is scored for piccolo, 3 flutes, alto flute (alternate c-flute part is included), bass flute, and optional contra. (13:30)

Level 3

Music for Flute Quartet or Flute Choir

The Planets

by Gustav Holst, arranged by Phyllis Avidan Louke, pub. Falls House Press See Reviews

Sharyn Byer

April 2005

This arrangement, containing all of the seven movements, is an abbreviated version of The Planets—the 60 minute length of the original piece has been reduced to approximately 20 minutes. All of the major themes appear in a form designed to be accessible to both small and large flute ensembles of intermediate through advanced level.

The Planets is scored for four c-flutes, (opt. alto, bass and contrabass flute) (20:35)

Level 3 to 3+

Music for Flute Choir

Ringing in Christmas

arranged by Phyllis Avidan Louke, pub. ALRY Publications

Ringing in Christmas is a medley of Christmas songs about bells and includes the following: Ding Dong Merrily on High, I Heard the Bells on Christmas Day, Carol of the Bells, and Jingle Bells. These four Christmas favorites are united together with a bell-like interlude. In this arrangement, all the parts have a turn at playing the melody.

Ringing in Christmas is scored for piccolo, 3 flutes, alto flute (an alternate c-flute part is also included), bass flute. An optional contrabass flute part is available as a free download (5:30)

Optional parts now available for FREE download: contrabass flute

Level 3

Music for Flute Quartet or Flute Choir

Simple Gifts

arranged by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by Woodbridge Flute Choir on the CD Woodbridge Suite)

Simple Gifts is an arrangement of a well-known folk song used by a religious sect called the Shakers. This piece is comprised of a series of variations on this famous tune, starting with a “simple” setting, continuing to a variation with chromatic accompaniment, an “ethereal” variation, a march-like variation with a rousing piccolo counter melody, finishing with a beautiful chorale section.

Simple Gifts is scored for four c-flutes, (opt. piccolo, alto flute and bass flute) (5:20)

Optional parts now available for FREE download: contrabass flute

Level 3 to 3+

Music for Flute Quartet or Flute Choir

Suite Butterfly for Flute Quartet or Flute Choir

by Phyllis Avidan Louke, pub. ALRY Publications See Review

mp3 (Caterpillar) mp3 (Chrysalis) mp3 (Butterfly)

(recordings by National Flute Choir on High Altitude CD)

Scored for 4 flutes with opt. alto & bass flutes doubling the 4th part, and opt. picc (7:00)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Choir

Temple of Heaven

by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (Temple of the Sun) mp3 (Temple of the Moon) mp3 (Temple of Earth) mp3 (Temple of Heaven)

(recordings by Rose City Flute Choir on 5/08)

Temple of Heaven is a programmatic work in four movements for flute choir commissioned by Mary Sand and The Loomis Chaffee Flutes in 2006. The piece is written using various forms of the pentatonic scale and its modes and is descriptive of a series of four temples built in Beijing: the Temple of Heaven in the south, the Temple of Earth in the north, the Temple of the Sun in the east and the Temple of the Moon in the west. The Temple of Heaven, completed in 1420, is the most important and largest. Chinese emperors, also known as “son of heaven”, felt that the dwelling for heaven should be grander than their own dwelling in the Forbidden City. Color plays an important part in Chinese culture and accordingly, the Temple of Heaven is tiled in blue, a sacred color symbolizing heaven, while the Temple of Earth is tiled in yellow, the Temple of the Sun is tiled in red, and the Temple of the Moon is tiled in white.

Movement 1, Temple of the Sun, begins with a calm and quiet sunrise with chirping birds, transitioning into an exciting Allegro con brio.

Movement 2, Temple of the Moon, is lush and tranquil with a beautiful duet between the 1st flute and bass flute. This section segues into an emphatic Shanghai Opera theme called Red, Red Moon.

Movement 3, Temple of Earth, subtitled By a Cool Mountain Stream, depicts the freedom of flow as a mountain stream tumbles over the rocks. During this movement, it is recommended that the piccolo player move quietly to the back of the performance hall behind the audience and face the stage for the antiphonal piccolo duet at the beginning of the 4th movement. The piccolo part is cued in Flute 1 and should be played by one player in marked sections (+picc) only.

Movement 4, Temple of Heaven, begins with a tam-tam (gong) that should be allowed to finish ringing before two piccolos begin an antiphonal duet that symbolizes a call from heaven. The second piccolo part is written into the Flute 1 part. For best effect, this duet should not be conducted. At letter A, the journey to heaven begins, ending with repeat of the opening duet, this time played by alto flute and bass flute. At letter E, the joyful theme in 6/8 time signifies the arrival in heaven.

Temple of Heaven is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), bass flute, and opt. tam-tam (another term for gong). (11:30)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Choir

There Is No Rose

by Z. Randall Stroope, arr. by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

mp3 (recording by National Flute Choir on the CD Breathless)

There Is No Rose was arranged for flute choir from Z. Randall Stroope’s original choral piece for SSA, piano and oboe. In this arrangement, the hauntingly beautiful line originally written for oboe is scored for piccolo. Tempo changes and occasional cessuras accentuate the change of mood in this piece. The use of contrabass flute or string bass, although not essential, adds much to the depth of this arrangement. This arrangement is dedicated to Rose City Flute Choir, and was premiered by this ensemble in April 2004.

The original choral piece was written as a gift to the well known treble choir Bel Canto by its conductor, Z. Randall Stroope, using a 15th century anonymous text that beautifies the personage of the Virgin Mary.

This piece is scored for piccolo, 4 flutes, alto (C flute part included) & bass, and optional contrabass flute and string bass. (6:00)

Level 3

15th Century Text used in the choral version of There Is No Rose:

There is no rose of such virtue

As is the rose that bare Jesu

Alleluia. Alleluia.

For in the rose contained was

Heaven and earth in little space.

Resmiranda.

The angels sungen the shepherds to: Gloria!

Gloria transeamus.

The angels sungen the shepherds to: Gloria!

Gloria in excelsis!

Now leave we all this worldly mirth,

And follow we this joyous birth;

Transeamus Domini

The angels sungen the shepherds to:

Transeamus, Gaudeamus, Resmiranda,

Alleluia.

There is no rose of such virtue

As is the rose that bare Jesu.

Alleluia.

Z. Randall Stroope (b. 1953) is widely known as a conductor, lecturer and composer. Dr. Stroope presently lives in Omaha, Nebraska, where he is a Professor of Music and Kayser Professor at the University of Nebraska Omaha. Dr. Stroope has recorded eleven compact discs - two of his own music, titled Passages I & II: The Choral Music of Z. Randall Stroope.

Music for Flute Choir

Under the Big Top

by Phyllis Avidan Louke, pub. ALRY Publications See Reviews

mp3 (At the Circus) mp3 (On the Flying Trapeze) mp3 (Clowning Around)

(recordings by Rose City Flute Choir 6/02)

Finalist in 2000 Hoff-Barthelson Music School Flute Choir Music Competition

Under the Big Top is an original programmatic work in three movements for Flute Choir.

Movement One, At the Circus, conveys the excitement of being at the circus—the procession of the performers, the elephants lumbering into the ring, the concessionaires selling peanuts, popcorn & Cracker Jacks, the Ringmaster welcoming the audience to the show, and the entrance of the juggling clowns.

Movement Two, On the Flying Trapeze, depicts the swaying of the trapeze and the daring acrobatics performed high in the air by the trapeze artists.

Movement Three, Clowning Around, is descriptive of the amusing antics of the circus clowns as they jump and bounce around entertaining the crowd.

This piece is scored for piccolo, 3 flutes, alto (C flute part included) & bass. (7:30)

Optional parts now available for FREE download: contrabass flute

Level 3

Music for Flute Choir

Une Chanson du Printemps

by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by Rose City Flute Choir 8/03)

Une Chanson du Printemps is an original composition for Flute Choir. The main theme is a poignant melody in 6/8 time, meant to evoke the feeling of meandering through a field of flowers on a fine spring day--hence the title “Spring Song”. The piece is written in a “theme and variations” form that begins with a 1st Flute solo stating the theme with a very simple accompaniment. As the piece expands, it features each section playing the melody and/or counter melody during at least one variation, including a delightful duet section featuring the bass flute playing the melody in augmented form, accompanied by alto flute countermelody.

Scored for piccolo, 3 flutes, alto (C flute part included) & bass flute (5:00)

Optional parts now available for FREE download: contrabass flute

Level 3

Errata

Music for Flute Choir

We Three Kings/Carol of the Bells

arr. by Phyllis Avidan Louke, pub. ALRY Publications

mp3 (recording by National Flute Choir on the CD Christmas Flutes)

This unique arrangement combines the familiar Christmas songs, We Three Kings and Carol of the Bells in a unique way. The piece begins with a theme from Carol of the Bells which is present throughout most of the arrangement as a rhythmic ostinato element tying the two songs together. The two songs are alternated throughout the piece, as well as juxtaposed, utilizing additional counter melodies to add interest and different tone colors. The melodies travel throughout each of the instrumental parts changing the texture and enhancing the joyous nature of this arrangement.

We Three Kings/Carol of the Bells is scored for piccolo, three c-flutes, alto flute (C flute part included) and bass flute (3:00

Optional parts now available for FREE download: contrabass flute

Level 2+

For more information on the unpublished music of Phyllis Avidan Louke, click here.

Chronological ListPrevious NextCommissions